Zulfiqar Ali Kalhoro, Perspectives on the Art and Architecture of Sindh, Karachi: Endowment Fund Trust, 2014.
Pilgrimages and Sanctuaries: Art, Music and Rituals
11-12 November 2011
Organized by The Centro Incontri Umani Ascona, Swizterland
T. Zarcone, CNRS – GSRL / EPHE, Paris
P. Khosronejad, Department of Social Anthropology, University of St Andrews, Scotland
A. Hobart, University College, London
With the participation of
The “Groupe Sociétés Religions Laïcité” (GSRL)
Centre National de la Recherche Scientifique (CNRS)
Ecole Pratique des hautes Etudes (EPHE) – Université de la Sorbonne
The Department of Social Anthropology, University of St Andrews
Thursday 10 November 2011
Friday 11 November 2011
9:30 Opening: Angela HOBART (London University College / director of the Centro Incontri Umani)
9:45 Introducing the topic of the conference: Pedram KHOSRONEJAD (St Andrews University) and Thierry ZARCONE (CNRS – GSRL / EPHE, Paris)
Session 1: Musique, Songs and Nature
Chair: Angela Hobart
10:00 Razia SULTANOVA (Central Asian Forum, University of Cambridge, UK), Devotional chanting in Uzbek and Kazakh Pilgrimages: (Shahimardan, Bukhara, Turkestan)
Pilgrimages in Central Asia accompanied by devotional chanting have not yet been the subject of sustained scholarly attention, but they occur on a regular basis and are significant for the study of religions. Pilgrimage destinations in Central Asia are distinguished by various forms of performance, and the choice of chanting and narration relates to the different Sufi orders: Qadiriya in Shahimardan in Ferghana Valley, Naqshbandiya in Bukhara and Yasaviya in Turkestan. When, for example, you arrive in the mountainous region of Shahimardan in Ferghana Valley, you are surrounded by people singing and praying, performing suras from the Holy Quran as well as blessings and various Sufi ghazals. In Bukhara around the tomb of Naqshbandi, and in Turkestan in the region of the Khanaqa of Ahmad Yasavi, these chants build an essential part of devotional rituals. How are they performed? What is their origin? Who are their performers? These and other similar questions are examined in my paper.
10:35 Saskia KERSENBOOM (Amsterdam University, The Netherlands), Lady of Great Bliss
In the hills of Northern Hungary pilgrims have for centuries travelled to sacred places where mother earth opens up miraculous stones, hills, rock-caves and, especially, healing water from divine wells. The focal point of their devotion are the female representations, whether they be in the ancient Maria, the newly founded temple for Buddhist Tara, or the nubile girls in UNESCO World Heritage Holloko village. All are to be found within the range of 20 km around the pilgrim site of Szentkut and its Holy Well. This presentation compares and analyses the performative strategies in the arts of storytelling, song and mimetic action that enable believers to turn their devotion into a sensuous, invigorating experience of the divine.
11:10 Morning Coffee
11:40 Richard BLURTON (Dept of Asia, British Museum, London), Pilgrimage to Banggajang: lake-dwelling goddesses and their devotees in the eastern Himalayas
This paper discusses the previously unrecorded pilgrimage to a group of high altitude lakes located in the hills above the Se-La. This pass at 13,000 feet separates western Arunachal Pradesh from Tawang District and the onward route to Tsona in south-eastern Tibet. The lakes are imagined as the residences of the goddesses Dorje Phagmo and Palden Lhamo, while the surrounding landscape is impregnated with divine and cosmic presence – all of which is pointed out to pilgrims as they make the pilgrimage circuit. In this, the Banggajang pilgrimage fits into the same type as the much more substantial landscape pilgrimage that has been recorded to the east, at Tsa-ri, by Toni Huber.
The pilgrimage to Banggajang has both a historic and a present manifestation, and both elements will for the first time – and with some trepidation – be placed in an overview of the well-known Tibetan notion of mountain and lake veneration and the accommodation of this activity within a Buddhist world-view. There is some evidence that the pilgrimage acted not only as a spiritual activity but also as an economic and indeed a cultural activity, and this will be presented.
12:15 Charles RAMBLE (Oriental Institute, University of Oxford), ‘Objets trouvés’: The transformation of nature into art in Tibetan pilgrimages
Pilgrimage is one of the most widespread and popular activities among Tibetan Buddhists and followers of the Bön religion. Although a few pilgrimages are centred on man-made shrines such as the „cathedral‟ (Jokhang) of Lhasa, the majority entail arduous journeys to uninhabited mountain wildernesses. The trails and sacred sites at these locations are festooned with coloured flags printed with prayers, as well as white ceremonial scarves and sacred formulae sometimes carved into rocks, but the natural environment is otherwise hardly transformed; except, that is, in the imagination of the pilgrims. In the abundant „guidebook‟ literature associated with each pilgrimage route, topographic features are sacralized by being re-envisioned as a wide range of ritual items, animals, divinities and even social interactions. While this „denaturalised‟ landscape is sometimes transferred to painted scrolls, the true richness of the imagery is reserved for pilgrims who see these objects in situ, through the prism of prescribed religious vision.
12:40- 1:15 Questions and discussion
13:30 Lunch Break
Session 2: Sacred Artefacts
Chair: Pedram Khosronejad
15:00 Michel BOIVIN (CNRS – CEIAS / EHESS, Paris), Building a local culture in a Sufi centre: the kishti and other artefacts in Sehwan Sharif (Pakistan)
Sufism in the Indian Subcontinent is usually introduced through Imperial centres like Nizamuddin in Delhi or Muinuddin Chishti in Ajmer. The art and culture thus produced are therefore closely attached to imperial power, be it the Delhi Sultanate or the Moghul Empire. My contention, however, is that innovative clues can be adduced as evidence of regional and local approaches. My lecture focuses on the Sufi centre of Sehwan Sharif (Pakistan) where the Sufi Lal Shahbaz Qalandar (d. 1274) is buried. It will study a number of artefacts, usually represented as the Sufi‟s relics, as material goods embodied in a number of narratives. The artefacts are also ritual tools which reflect negotiations between different categories of local people such as sayyids and non-sayyids, Sunnis and Shias, Muslims and Hindus, men, women, khadras etc. Briefly, the study of the artefacts informs us on how a local ‟system‟ is working.
15:35 Alexandre PAPAS (CNRS – CETOBAC / EHESS, Paris), Steles, relics and photographs in the Muslim shrines of Northwest China (Qinghai, Gansu)
In the provinces of Qinghai and Gansu (more precisely: Xunhua Salar Autonomous County and Jishishan Bonan, Dongxiang and Salar Autonomous County) live several Muslim minorities, namely Hui, Salar, Dongxiang, Bonan and Kargan Tibetan. Whether Chinese, Turkic, Mongolian or Tibetan speakers, they all venerate saints and perform pilgrimage on their shrines. Based on fieldwork conducted in 2010, this presentation introduces the main features of Islam and Sufism in the area. In a second step, I will focus on the specific shrines in which Qâdirî and Naqshbandî saints are buried, and where several material features appear repeatedly: 1) the granite steles composed in Chinese, which provide basic information to visitors; 2) the relics jealously preserved by the shrine custodians and shown at exceptional occasions; 3) the photographs taken by pilgrims and used as souvenirs of pious visits and mystical rituals. These three material aspects of Sufi holy places tend to multiply the narratives associated with pilgrimage, reconstructing the religious memory of Muslim minorities in north-west China.
16:10 Afternoon Tea
16:40 Sanjay GARG (SAARC Cultural Centre, Colombo, Sri Lanka), Pilgrims’ memorabilia in the social landscape of India
India is a land of diverse religious faiths and practices. It is the place of origin of four religions – Hinduism, Buddhism, Jainism and Sikhism – and a congenial abode for almost all the religions of the world, be it the oldest, such as Judaism, Zoroastrianism, Christianity, Islam, or one of the newest, like Baha‟ism. The shrines of these religions dot the cultural landscape of the country, and from antiquity these have served as pilgrimage centres for devotees. One of the traditions associated with pilgrimage in India is the carrying back of blessings of the sacred site in some tangible form. These range from holy prasād (eatables offered by a devotee at a shrine and generally returned after being blessed), sacred water and holy ash from incense, to charms, amulets, statuettes and jewellery. This tradition could be studied from a functionalist point of view, in which the memorializing of the pilgrimage and sharing of the divine blessings with one‟s kith and kin appear to be the prime objects of the pilgrim; or from a philosophical standpoint, in which the pilgrim seeks to associate himself permanently with the sacred site.
This paper will explore this tradition of „pilgrims‟ memorabilia‟ in the cross-cultural and inter-religious settings of India by focusing on the religious tokens commonly known as Rāmtankās (lit. „Money of Lord Rama‟). Previously confined to Hinduism, the prevalence of these religious tokens amongst the Hindu pilgrims has prompted Islamic, Sikh and other religious communities to devise their own. These tokens have provided not only a convenient and affordable medium of expression for the popular art and religious beliefs of the masses of India, but they have also served variously as objects of worship, talismans and mementoes, or indeed as a combination of all three. Finally, the paper will also attempt to address issues such as the motivations and expectations of the practitioners of this tradition, as well as the influence of their social background in their choice of memorabilia.
17:15 Thierry ZARCONE (CNRS – GSRL / EPHE, Paris), Flags and ritual banners at shrines in Asian Islam (Central Asia, Xinjiang, India)
This presentation will examine the role played by banners or flags (tugh/tughaläm), major sacred artefacts in saint veneration and tomb cults in Turkic Islam. In particular it will consider the offering of banners, a notable ritual executed at the saints‟ tombs in Eastern Turkestan/Xinjiang (China) and, in a different manner, in India. My approach is both historical and anthropological. I will first show that the use of banners during pilgrimages at saint tombs in Central Asia has shamanic, Buddhist and Islamic origins. These three traditions have mingled over time and gave birth to a very syncretic practice. Also worthy of mention is the frequent identification, as shown in the written sources in Persian and Oriental Turkish, of the word „mazar‟, for the tombs of saints, with the word „tughaläm‟, a banner – a sign that the banner is a central element in the saint cult and gives him its legitimacy. One of the most compelling proofs of this, is that the Chinese administration of Xinjiang, when aiming to eradicate saint‟s cults and pilgrimage before and after 1049, forbade the banners at these places – a proscription that remains to this day. After this historical introduction, I will report on the rituals of the offering of banners that are performed nowadays at shrines in Xinjiang, along with the aesthetic and artistic dimensions of these artefacts..
17:50 -18:30 Speakers’s panel – Questions and discussion
Saturday 12 November 2011
Session 3: Images and Representation
Chair: Thierry Zarcone
9:30 Hümeyra ULUDAG (Istanbul University, Turkey), Shrines and the culture of pilgrimages in the Ottoman visual material
Shrines, which are the centres of popular pietism in Ottoman society, comprise one of the most significant dynamics of social life. These sacred locations, which substantially guide religious, social and psychological lives of people, are observed in Ottoman miniatures. This paper will concentrate on certain dimensions of the shrines that are reflected in the Ottoman visual materials, such as their architecture and setting, and the culture of pilgrimage and rituals. The way this topic is studied in visual terms and the modes of representation and the motifs in the miniatures will be also discussed.
10:05 Pedram KHOSRONEJAD (University of St Andrews), Curtains of heaven: celestial and devotional mural paintings of Iranian pilgrimage
In this talk the author will present and analyze the creation and function of mural paintings of saint shrines in Iran since the Safavide period (1501–1736). The main emphasis will be on the relationship between such devotional depictions and the veneration of saints in Shiite Iran. This talk will be completed by a case study of mural paintings of shrines of saints which are located in and around Lahijan in the north of Iran.
10:40 Morning Coffee
11:00 Isabelle CHARLEUX (CNRS – GSRL / EPHE, Paris), Sacred souvenirs of 19th-20th century Mongol pilgrimages to Wutaishan (China)
Mount Wutaishan was an important centre of religious shopping for Mongol pilgrims, who purchased there various kinds of objects, from rosaries, statuettes, good-luck tokens and mass-produced prints and maps up to expensive icons. Back home, these „relics‟ of the holy shrine served to maintain a physical connection with the charisma of the site. This presentation will examine three kinds of sacred souvenirs – maps, prints of Shakyamuni‟s footprints and thangkas – to question their different functions and uses, and the lasting influence they had on Mongol Buddhist art.
11:35 Speakers’s panel – Questions and discussion
12:10 Conclusion: Pierre-Jean LUIZARD (CNRS – GSRL / EPHE, Paris)
12:30 Closing: Angela HOBART; Pedram KHOSRONEJAD; Thierry ZARCONE
13:00 Lunch Break
All are welcome
For all inquiries, please contact: email@example.com
Sara Keller, The Islamic monuments of the walled city of Ahmedabad, India (15-18th century): an archeological study. PhD thesis in Building Archaeology, University of Paris IV Sorbonne, France; and Otto-Friedrich Universität Bamberg, Germany, 16 October 2009.
“Unlike many medieval and modern royal urban foundations in the Indian subcontinent, the city of Ahmedabad survived till now as the politic and economic heart of Gujarat. Today, the historical Islamic monuments are the sole witnesses of the splendor of a city which used to controlled the trade ways linking Delhi and central India with the arabic countries and the eastern African coast. Our archeological study not only identified the vast corpus of Islamic monuments still existing of the walled city of Ahmedabad, it also permitted a detailed analysis of the sites and buildings, bringing informations concerning the evolution of architectural forms and technics over more than four centuries. Those researches brought new lights on the urban history of Ahmedabad and the history of Gujarat, as well as on the importance of the “Gujarati style” within the Indian architecture and the architecture of the islamic world. The study finally could show the survival, in Gujarat, of feudal systems deeply rooted in the local culture till the end of the 16th century, and the transition to a modern type of administration spread in India by the Mughal empire.”
Keywords: India, architecture, Ahmedabad, Gujarat, Islam, mosque, mausoleum, madrasa, Sultanate, Mughal, minaret, sufi, art, jain, brahmanical, indic, urban structures, city, monuments, water, tank, measurement, proportion, vastu, ornementation, arche, technique, pietra dura.
This collective book aims at making the public aware of the long and rich cultural heritage of Sindh, at the crossroads of Iranian, Central Asiatic and Indian Rajasthani-Gujarati worlds, and open on the Arabian Sea. From the remains of the protohistoric Mohenjodaro to the history of the modern Karachi and its inhabitants; from Budhhist and Hindu art and architecture, Islamic conquest and the development of Islamic architecture, to contemporary art, traditional crafts, and regional cookery; from history, political and cultural encounters through coinages to British production of representations on the region. It also points out some crucial studies that should be undertaken, for example about Buddhist sculptures, Hindu art and architecture, the medieval port of Banbhore which needs a new survey, etc. In sum, it highlights a composite Sindhi culture and identity, spoiled with the Indo-Pakistan Partition, in 1947.